Malaysian Hip-Hop Scene: Evolution and Influencers


The Malaysian hip-hop scene has been steadily growing and evolving, showcasing a blend of local influences and global trends. It began gaining traction in the mid-1990s with the emergence of groundbreaking groups such as Poetic Ammo, which consisted of Yogi B, Point Blanc, C. Loco, and Land. These artists primarily performed songs in English but incorporated their native Malay language into their music, offering a unique twist to the genre.

As the hip-hop scene flourished in Malaysia, a new generation of artists emerged, paving the path for more diversity and creativity. One of the most notable figures in the Malaysian hip-hop landscape is Joe Flizzow, a trailblazing artist who has contributed significantly to the Asian hip-hop scene. With a career spanning over two decades, Joe has come a long way from his early days in the duo Too Phat to his successful solo run and his efforts in promoting local talent through platforms like the YouTube Cypher Show, ’16 Baris.’

With the growth of the hip-hop scene, there has also been an increase in female artists making their mark on the industry. Rappers like Sya challenge the status quo and shed light on important issues like gender equality and toxic masculinity through their music. This continuous evolution and infusion of fresh talent is a testament to the resilience and adaptability of the Malaysian hip-hop scene, which has the potential to leave an even greater impact on a global scale.

History of Malaysian Hip-Hop

Early Influences

The beginnings of Malaysian hip-hop can be traced back to the late 1980s and early 1990s. During this time, rap groups like KRU, 4U2C, NICO, Naughtius Maximus, and HQA started making their mark on the local music scene. However, the mainstream community did not immediately accept their rap music, leading them to adopt a more pop-inspired sound. In 1991, the classic album Baguvix by HQA was released and became a significant milestone in the evolution of Malaysian hip-hop.

Rise of Local Hip-Hop in the Late 90s

In the late 90s, Malaysia’s hip-hop scene began gaining momentum as more local acts emerged. These artists, heavily influenced by their counterparts in the United States and other parts of Southeast Asia, began crafting their unique style and pushing the boundaries of what Malaysian hip-hop could be. The rise of music TV channels also played a crucial role in promoting these artists and raising their profile within Malaysia and throughout the region.

Expansion in the 2000s

As Malaysian hip-hop entered the new millennium, the genre started to gain a broader audience base. The 2000s saw the arrival of several new artists and international students from Africa, Asia, and North America, adding a fresh and diverse perspective to the local scene. This period also established various hip-hop events, such as the 16 Baris rap cypher show, further solidifying Malaysia’s position as a thriving hub for hip-hop in Southeast Asia.

The expansion of the Malaysian hip-hop scene in the 2000s was not only limited to the music itself but also encompassed various other elements of hip-hop culture, such as dance, street art, and fashion. Through a combination of talent, passion, and the exchange of ideas with other artists worldwide, Malaysian hip-hop continued to grow and evolve, securing its place in the landscape of global hip-hop.

Key Artists and Groups

Too Phat

Too Phat was a Malaysian hip-hop duo, formed in the late 1990s, consisting of Malique Ibrahim and Joe Flizzow members. They are considered pioneers of the local hip-hop scene and enjoyed massive success and popularity. Their debut album, Plan B, was critically acclaimed and featured hits like “Lil’ Fingaz” and “Just a Friend.”

Teh Tarik Crew

The Teh Tarik Crew was one of the earliest Malaysian hip-hop groups to gain significant recognition in the early 2000s. They helped push forward the local hip-hop scene and played a role in introducing new generations to the genre. Memorable hit singles include “Mungkin” and “Get With Us.”

Joe Flizzow

Joe Flizzow is a prominent figure in the Malaysian hip-hop scene. Known as one half of the popular duo Too Phat, he has since embarked on a successful solo career and founded the independent label Kartel Records. With hits like “Havoc” and “Air Mata,” Joe Flizzow has brought Malaysian hip-hop to regional and international audiences.


Altimet is a renowned Malaysian rapper, producer, and songwriter known for his unique style and innovative music, which features a mix of traditional Malaysian elements and modern hip-hop beats. He has released several successful albums, including Air and Kotarayaku, and popular tracks like “Aku Tahu” and “Amboi.”


SonaOne is a talented Malaysian rapper and producer who first gained recognition as part of the hip-hop collective FlowFam XXII. With a distinctive flow and impressive wordplay, he has quickly made a name for himself in the local hip-hop scene. Notable tracks include “No More” and “Hakeleh.”

Yung Raja

Yung Raja is a rising star in the Malaysian and Southeast Asian hip-hop scene. He has a unique style, blending Tamil and English lyrics with catchy beats, making him stand out among his peers. Key singles such as “Mustafa” and “Mad Blessings” have garnered him immense popularity and attention on a regional level.


Zamaera is an up-and-coming Malaysian rapper known for her powerful lyrics and captivating stage presence. She gained attention with her debut single “Helly Kelly” and has continued to impress with subsequent tracks like “Z vs Z” and “Kembali.” Her unique style and raw talent make her a force to be reckoned with in the local hip-hop scene.

Record Labels and Collaborations

Kartel Records

Kartel Records is a prominent Malaysian hip-hop record label founded by rapper and entrepreneur Joe Flizzow in 2005. The label specializes primarily in hip-hop and R&B music. In 2008, Kartel Records entered into a distribution agreement with Warner Music Group Malaysia, enabling the record label to market its artists to a wider audience. Notable Malaysian hip-hop artists under Kartel Records include Joe Flizzow, SonaOne, and Altimet.

The Rebel Scum

The Rebel Scum is a collective of Malaysian hip-hop artists formed in 2004. The group began with members from Malaysia, Singapore, and Sri Lanka. Some of the popular frontmen of the collective are Karmal, SonaOne, and Hunny Madu. Collaborations between the members form a significant part of their music, and their presence has taken the Malaysian hip-hop scene to a regional level.

Independent Artists

A growing community of independent Malaysian hip-hop artists is also breaking through the scene without the backing of major record labels. These artists often collaborate with others and use social media and digital platforms to showcase their talent and gain attention. Examples of independent Malaysian hip-hop and R&B artists include:

  • FORCEPARKBOIS: A music group known for its energetic performances and creative approach to music production.
  • K-Clique: A hip-hop collective whose members often collaborate, creating a unique sound that appeals to a broad audience.
  • Yonnyboii: A rising star in the Malaysian hip-hop scene, Yonnyboii has gained a significant following through his engaging storytelling lyrics and soulful delivery.
  • Yuna: An established Malaysian R&B artist who has collaborated with international artists like Usher and Pharrell Williams, bringing Malaysian music to a global stage.

By working together and utilizing digital platforms, these independent artists continue to make strides in the Malaysian hip-hop scene without the support of major labels.

Language and Style

English and Malay in Lyrics

The Malaysian hip-hop scene is known for its language diversity. Artists often incorporate various languages in their songs, reflecting the country’s multicultural mix of Malay, Chinese, Indian, and indigenous populations. English, Malay, Mandarin, and Tamil are commonly used in many Southeast Asian rappers’ lyrics, allowing their music to reach a broader audience. This unique linguistic combination typically enriches the local hip-hop culture and showcases Malaysia’s varied cultural backgrounds.

Crossover with Pop and Traditional Styles

Another standout aspect of Malaysian hip-hop is its seamless integration with other musical styles. The scene has evolved since its beginnings in the late 1980s and early 1990s when rap groups like KRU, 4U2C, NICO, Naughtius Maximus, and HQA primarily focused on rap music. However, the mainstream community did not readily accept their style, which led to a transition to a more pop-influenced sound.

Over the years, Malaysian hip-hop artists have continued to blend traditional and modern styles, including elements from pop, R&B, and even traditional Malaysian music such as Dangdut and Indian influences. Some prominent Malaysian rappers who have successfully merged different styles in their music include:

  • K Clique – They have a strong presence on YouTube and Instagram, showcasing a blend of hip-hop and pop elements.
  • Joe Flizzow – Known for his distinct rap style, he incorporates both English and Malay in his lyrics and infuses elements from various genres.

This synthesis of sounds and styles is an appealing feature of Malaysian hip-hop, enhancing its originality and setting it apart from other global hip-hop scenes.

Popular Platforms and Releases


The Malaysian hip-hop scene has seen several influential album releases over the years. In the early 1990s, local rapper HQA released the classic album Baguvix. This helped set the stage for future Malaysian artists to create hip-hop masterpieces. Famous artists like Joe Flizzow and Altimet have also released successful albums, showcasing their unique styles and contributions to the genre.

YouTube and Online Videos

The prominence of social media platforms like YouTube has played a significant role in promoting and growing Malaysian hip-hop. With viral videos and music clips, artists have reached a broader audience in Malaysia and beyond. 16 Baris is a popular YouTube series that showcases Malaysian rappers and their talent in freestyle rap. The series has featured established artists and up-and-coming talents, such as Joe Flizzow and Sophia Liana, bringing attention and recognition to the diverse range of talent in the Malaysian hip-hop scene.

Spotify and Streaming Services

Alongside YouTube, streaming platforms like Spotify have also proved instrumental in bringing Malay hip-hop to audiences worldwide. Access to millions of songs on various streaming services makes it easier than ever for fans to discover new music from Malaysian artists. Spotify has promoted playlists featuring Malaysian hip-hop artists, allowing listeners to explore the work of established acts and emerging performers. Singapore, a neighboring country with a vibrant music scene, has also seen its artists’ work featured on these playlists, expanding the global reach of Southeast Asian hip-hop and R&B music.

Modern Artists and Rising Talents

Malaysia’s hip-hop scene has grown, with many talented contemporary artists making a mark in the industry. This section highlights some of these rising talents.


YonnyBoii is an emerging Malaysian rap artist known for his unique flow and engaging lyrics. He has gained a significant following on social media and YouTube. His popular tracks include “Sampai Jadi” and “President.”

Aman RA

Aman RA is another influential Malaysian rapper making waves in the hip-hop scene with his powerful lyrics and captivating performances. He has worked with other notable talents like MC Syze and gained recognition nationally and internationally.

Fariz Jabba

Fariz Jabba is a Malaysian rapper from Kuala Lumpur, noted for his incredible lyricism and distinct voice. His style is a blend of contemporary hip-hop and traditional Malaysian music, creating a unique sound that resonates with local and international audiences.


ForceParkBois is a collective of Malaysian hip-hop artists founded by Lil Asian Thiccie, Caprice, and Krash Kozz. They have gained fame through their energetic and relatable tracks that speak to a wide audience of hip-hop fans. Their popularity spans beyond Malaysia, earning them a dedicated following within the Southeast Asian hip-hop community.

Frequently Asked Questions

Top Malaysian hip-hop artists?

Some notable Malaysian hip-hop artists include K Clique, Caprice, Joe Flizzow, Altimet, and Yonnyboii. These artists have significantly contributed to the Malaysian hip-hop scene and gained local and international recognition for their talents.

Key events in Malaysia’s hip-hop history?

Poppy-sounding groups dominated the Malaysian hip-hop scene until around 1995-1996, when Poetic Ammo, composed of Yogi B, Point Blanc, C. Loco, and Land, emerged. This shift marked a significant event in the history of Malaysian hip-hop, as it ushered in a new era of more authentic and diverse musical styles within the genre.

Popular Malaysian hip-hop songs?

Some popular Malaysian hip-hop tracks include “Mimpi” by K Clique, “Buat Badan” by Joe Flizzow, “Amboi” by Altimet, and “Bosan” by Yonnyboii. These songs showcase the variety of styles within the Malaysian hip-hop scene, from catchy hooks to thought-provoking lyrics.

Hip-hop club venues in Malaysia?

Malaysia’s hip-hop scene comes alive in the clubs and venues that host live performances and DJ sets. Some popular venues for hip-hop events in Malaysia include Zouk Club in Kuala Lumpur, The Iron Fairies KL, and Club Kyo. These clubs provide an ideal atmosphere for hip-hop fans to enjoy their favorite music and discover new talents.

Impact of Malaysian hip-hop?

Malaysian hip-hop has played a significant role in providing a new avenue of creative expression for disenfranchised urban youth. By adopting hip-hop culture, these young people have found an innovative way to share their experiences and perspectives, thus enriching the country’s cultural landscape.

Collaborations in Malaysian hip-hop?

Collaborations are an important aspect of the Malaysian hip-hop scene, as they bring together diverse talents and styles. One notable example is the 2014 collaboration between local rap icon Joe Flizzow and Singaporean artist SonaOne on the hit song “Apa Khabar.” Collaborations like this one help to bridge gaps between the different hip-hop communities in Southeast Asia and contribute to the overall growth of the genre in the region.